He pointed out that the traditional patterns used in the feasibility of the ways and means of contemporary design, to provide a basis for follow-up study and reference. Guangxi Ethnic Folk, bronze drum art, design, packaging design Introduction of our country is the world's largest number of bronze drums, use the age of bronze drum is the earliest and most lengthy history. Incomplete statistics, the bronze drum unearthed by our Guangxi there are more than 800 surface, this data in the southern region, Guangxi is the South has a bronze drum distribution up to the province, the hometown of the bronze drum known as a veritable. From Xia to the Eastern Han Dynasty, Chinese bronze has experienced over two thousand years. With the development of the times and cultural evolution of the Chinese bronze drum is gradually enriched in the process of constant self-perfection and perfect; promote complementary study of Chinese and Western aesthetics, ancient and modern aesthetics the bronze bulging surface of the decorative patterns art mature , has become the object of more and more lovers of bronze drum patterns.
Overall, the art of decorative patterns in recent years in the country has made great progress, however, these studies either analyzed the composition of the pattern of the decorative arts, or mentioned in the discussion of certain anthropological phenomenon change or development of the art, however, the decorative arts of the national bronze drum patterns, a comprehensive system of aesthetics to explore or not comprehensive enough, including failure to basic conditions of the different stages of development by showing the Red River Basin of Guangxi Ethnic Folk bronze drum patterns reveal patterns of Art Deco aesthetic significance. Bronze drum of Guangxi Ethnic Folk folk culture and national folk bronze drum folk culture and a bronze drum types, Guangxi Ethnic Folk folk culture of the bronze drums and bronze drum type (a) bronze drum Overview of the Ethnic Folk Ethnic. They do have left countless exquisite beautiful bronze of genius, which is enough.
Folk bronze drum overview of national civil bronze drum. Ethnic Folk bronze drum is the carrier of the national soul and ideological sustenance materialized. In the Early Xia, Yu cast nine bronze to symbolize the nine states of ancient China. Ethnic Folk bronze drum is the national soul and ideological sustenance materialized carrier Ethnic Folk bronze drum Red River Basin in Guangxi bond of Zhuang and Yao and bronze drum, Red River Basin, Guangxi Zhuang in China, is one of the first casting and the use of bronze drums ethnic and Guangxi also ranked first in the national collection of bronze drums, many of which are bronze drums from the region of the Zhuang and Yao Nationalities. Major festivals in the weddings and celebrations, ant Shui section, and King Pan Festival, Zhuang and Yao have to tap the bronze drum, music to dance to show the "Health of the natural world harmony, humane feelings endure endless", and to express the peace pursuit of a happy life.
Folk legend, in ancient times Buyi bronze drum, the old man's death can not be salvation, holidays, can not invite the ancestors came down to celebrate the holiday on the the Buyi bronze drum legend and respect of the bronze drum. Thus, the nine bronze have been passed ages among the Xia, Shang and Zhou as the emblem of the national political power. A Mingjiaobujie ancestors, with a filial piety, touched by the Jade Emperor and the surface of bronze drums, so they hit bronze drums holidays, worshiping their ancestors, the ancestors will descend to celebrate the holiday, bless the sons of peace, domestic animals thrive and a good harvest . The bronze drum Buyi people is very sacred. of the folklore of other peoples of the Red River Basin of Guangxi on the bronze drum in all ethnic groups in the use of bronze drum, also many bronze drums can rainmakers folklore. Yi bronze sculpture drum legend is cast heaven living God, heaven, rain, public drum should be the parent call of the drum toward the mother drum and match each other.
No comments:
Post a Comment