The bronze sculpture has reflected back some essential spiritual appearance of Chinese

Huishan Clay enough experienced a peak in the Chinese ancient bronze sculpture, and then to private, secular changes in the results. image t to one of the characteristics of ancient Chinese bronze sculpture with vivid exaggeration and distortion "art spark burst out when combining with folk soil. benefits clay figurine making, circulating, such as:" The text of the chest, Wu's belly, the old man back, beautiful waist "these people I 'J artist summed up the shape of the mouth must reflect the know-how to shape the characters, seize the characteristics in order to show the character identity, is not limited to facial expressions conventional performance in the last chapter of Huishan Clay, come to the history of 400 years, but in the above comparison can be seen part of the Western prehistoric bronze sculpture on the theme, shape, both have striking similarities ancient civilizations. In some degree, the bronze sculpture has reflected back some essential spiritual appearance of Chinese.
 Bronze sculpture, occupy an important position. Aegean bronze sculpture to ancient Greek bronze sculpture, which has gone through the Archaic period, from the evolution of a series of male nude images of the Archaic period, clearly reflects the Greek based on their own pursuit of the honesty of the Egyptians and quickly transformed into a truly belonging to the Greek form the continuous improvement of the Greeks, the structure, muscle, and looked closer to real life on the action regardless of whether they use religious or other social purpose in life, they in essence reflects the humanistic spirit of the ancient Greek love of life, and that rational truth attitude. It is this spirit and attitude determines their bronze sculpture showing the new look is different from Egypt and Mesopotamia bronze statue when it comes to fine goods in the Huishan clay figurines (that is pinching the play text) type in the first chapter. The producers of bronze have their own aesthetic ideals, artistic pursuit.
 He proposed the concept of "love life" in the subject matter characteristics in the specific historical conditions, the members of the public asked for more richer to satisfy the public's aesthetic disciplines of the arts, it is fiction, drama, prints of the Ming and Qing Dynasties flourish since then can be drawn in the art at this time reveal a strong native humanism by the Romans of ancient Greek art, although inherited its tradition of reproducibility and performance practices, but pay more attention to the usefulness of art in their bronze eagle is no longer vigorously praising God, but sang in praise of the emperor feats, highlighting the history of the family, shaping the image of the upper class. portrait chinese bronze at this time of unprecedented prosperity after the bronze sculpture creative concept around the two centers of this official will or religious about deviation from the person's own projection and limited. They also mix their own aesthetic ideals and the artistic pursuit and into the art of bronze.
 Huishan clay figurines in the theme, modeling, painting and ornamentation convey the spirit of humanism, provides the possibility for the application of contemporary bronze dragon. Chinese contemporary bronze sculpture development brief China, ancient Yellow Emperor, Yao, Shun period, there is copper, jade, wood and other materials carved shaping, or the worship of God and the spirits'' or "towards the festival Xiandi" or "drive the demons. The bronze in the old times demonstrated the heavy footprints of the ancestors have left when bidding farewell to the primitive society towards a civilized community. As a result of the body and production of more sophisticated Sarah and Yu Wan, indicating that the time Jade developed. Into the three generations during the Xia Dynasty, Yu set the world, "distant objects, tribute gold nine blink, cast into nine tripod symbolic bronze art formal stage of history, its purpose to educate people.